Usagi Yojimbo Dojo - Letters - Usagi Yojimbo Volume 3, Issue 12
Usagi Yojimbo #12 Dark Horse Comics Usagi Yojimbo #12         
The Obakéneko of the Geishu Clan  
April 1997

(Click on the thumbnails to view full size cover art)

USAGI YOJIMBO LETTERS COLUMN
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STORY NOTES

There is a Japanese saying: Feed a dog for three days, and he will remember your kindness for three years. Feed a cat for three years, and she will forget your kindness in three days.

The first cats were introduced to Japan by Fujiwara no Sanesuke, a nobleman at the court of Emperor Ichijo (987-1011). They were imported from China and were called "hand-fed tigers." They were very popular pets but were soon looked upon with suspicion and even fear. Besides being ungrateful, cats are destructive by nature. They tear straw tatami mats, make holes in paper shoji doors, and sharpen their claws on wooden pillars. They are also very fond of the oil in lamps and will often lap them dry.

The Japanese looked upon cats as being under a curse. Only the cat and the serpent did not weep at the death of Buddha. In fact, the cat killed the rat that was sent to get medicine.

Like foxes and badgers, cats are able to bewitch human beings. Cats are also able to control the dead, even making them dance.

Cats have a natural tendency to become nekomata, or "goblin cats." This can only be controlled by cutting off their tails, which was a common practice performed on kittens.

When a nekomata ages, it becomes an obakéneko. Obakéneko (sometimes called kaibyo) literally translates as "supernatural cat," though it is also called "ghost cat" or "vampire cat." There is no single Western equivalent to this creature. Not only old cats but also those killed or wronged by a person can become obakéneko to take revenge.

There is a well-known story of the obakéneko of Saga Castle. During the Edo Period, Lord Nabeshima, an avid player of the board game go, challenged a blind champion, Matahichiryo Ryuzoji, to a game. When it appeared that he was going to lose, Lord Nabeshima lost his temper and killed Matahichiryo. The blind man left an aged mother who, learning of her son's death, killed herself in grief. He also left a pet cat, Tama, who lapped up the mother's blood and became an obakéneko and, to this day, is responsible for strange occurrences in the castle.

Not all cats are regarded with malice, however.

Sailors prized cats, especially the three-colored mikeneko. People who drown at sea never find rest but lurk in the waves and shout and wail as ships go by and extend their arms in the whitecaps in an effort to grab a victim. Cats, with their control over the dead, can keep those spirits away.

The manekineko, or "beckoning cat," is found in a spot of honor in many shops, because the cat with its raised paw invites customers in.

The Sleeping Cat carving of Nikko Shrine, the burial place of Shogun Tokugawa Ieyasu, is said to keep the area free of mice and will wink its eye with approaching rain.

Much of the research for this story came from Yokai Yurei Daihyaku (Many Unnatural and Ghost Stories). Thanks to Bill Mimbu for sending me this book and to my parents, Akio and Teruko Sakai, for translating the sections on obakéneko and kaibyo. Also used were: Myths and Legends of Japan by F. Hadland Davis; Japanese Animal Art: Antique and Contemporary by Lea Baten; The Mystery of Things: Evocations of the Japanese Supernatural by Akeji Sumiyoshi and Patrik Le Nestour; Glimpses of Unfamiliar Japan by Lafcadio Hearn; and Obaké: Ghost Stories in Hawaii by Glen Grant.

Dear Sakai-sensei and Jamie-san,

I have been meaning to write again since Inazuma reappeared in UY 6. It was good to find out just what she is about, and her future appearances will be greatly anticipated. The sequences in [Vol. 3] #7 depicting the challenge of the established school and its subsequent dishonorable retaliation was good to read; I always enjoy references to Musashi's exploits. The instructor's obligation to commit seppuku was dramatic. Length, excellently depicted battles, and the ending left open to find a fateful conclusion in the future between Koji and Katsuichi. And one other thing – Usagi is not so invincible as he's seemed in recent issues…

[Vol. 3] #8 was lovely. A touching story of Usagi's indomitable humanity and dedication, something we notice is nearly always surprising to those he tries to help. I knew the child must be a ghost, though. I wonder, will she grow up to become a Yuki-Onna?

And our first glimpse of the tempest on the horizon: [Vol. 3] issue #9. Good to see the dominating Priest Sanshobo again – another powerful ally for our leporine hero, ne? "The Conspiracy of Eight" has left me hungry for my next comics pick-up. All I can feel confident about is that the dangerous document is in safe hands: Chizu's.

Please put my piece of art that I attached in the letters column – it took me so long to prepare. I hope you like it.

Keep well, everybody.
Oskar Archer
Mylor, South Australia 

Fan Art (Kitsuné) by Oskar Archer

Fan Art (Kitsuné) by Oskar Archer

I left one very subtle clue that Fumiye was a ghost. You might notice that Usagi and his burden left deep tracks in the snow, but she never left a footprint. I would like to think that Fumiye has found peace and never became Yuki-Onna (literally, "Snow Woman"). Yuki-Onna is a young, beautiful mountain spirit who appears during snowstorms and lulls men to sleep and death.

As you saw in the last issue, neither the document nor Chizu's fate are in safe hands.

We'll be on hiatus for a couple of months while I start on "Grasscutter," which begins with [Vol. 3] issue #13. In the meantime, though, be on the lookout for The Art of Usagi Yojimbo [#1] from Radio Comix shipping in April. I will be part of a month-long art exhibit and will give a presentation of my work at the Japanese-American Cultural Center on May 4 during L.A.'s Little Tokyo Children's Day Festivities. And, of course, I'll be at my usual spot at Comic-Con International: San Diego in July.

[In July, look for an all-new one-shot, Usagi Yojimbo Color Special: Green Persimmon, collecting the serial that has been running monthly in the Diamond Previews catalogue. It will be followed by [Vol. 3] #13 in August.

Also, in this month's corrections department, I gave a wrong number for Video Action in #9. The correct number is (214) 687-8262. My apologies to all. Stan's just so good at what he does and so easy to work with, I keep falling asleep on the job. I've learned my lesson. I promise. – Jamie]

by STAN SAKAI

"Usagi Yojimbo", including all prominent characters featured in the stories and the distinctive likenesses thereof are trademarks of Stan Sakai and Usagi Studios. Usagi Yojimbo is a registered trademark of Stan Sakai.  Names, characters, places, and incidents featured in this publication either are the product of the author's imagination or are used fictitiously. Any resemblance to actual persons (living or dead), events, institutions, or locales, without satiric content, is coincidental.

 

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