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USAGI YOJIMBO LETTERS COLUMN
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STORY NOTES For people living in wood and paper homes, fire was a big concern. It did not take much to set a house on fire, and any strong wind could quickly spread it out of control. There were some twenty major fires in Edo from 1600 to 1866. One of the most destructive was in 1657 in which 108,000 people died and half the city was laid to waste. Many precautions were taken to prevent the spread of fire. Large barrels of water and buckets were kept on streets, and many streets themselves were wide enough to act as fire breaks. Fire towers, equipped with bells or alarm boards, were erected throughout the city. The location and ferocity of the fires were indicated by the number and strength of the strokes hitting the alarm. Firefighters were organized by the daimyo (lord) to protect his castle and the homes of his retainers, and by merchants to protect their own interests. Firefighters were called tobi-no-mono or hikeshi. The term tobi-no-mono (tobi = Siberian black kite; mono = person) comes from the fact that the hook they used had a head shaped like the beak of a kite. Hikeshi (hi = fire; keshi = to extinguish) is a more descriptive term. The daimyo's firefighters wore protective leather clothing with hooded helmets, whereas the town's tobi wore heavy cotton clothing and were mainly composed of carpenters, roofers, and other construction experts. Large mallets and poles were used to knock down walls; bamboo ladders enabled the firefighters to climb; and hooks tore down burning roofs. Manually operated wooden pumps were introduced in the mid-18th century to shoot streams of water through bamboo pipes. Each company of tobi had a standard: a geometric shape mounted on a pole. The standard-bearer took a position as close to the fire as possible, sometimes even on the roof of a burning building. The owner of the saved building would pay a fee to those companies whose standards were represented and who put out the blaze. References: References for the fire-fighting scene were gotten from: History of Fire Fighting in Japan, by Tadayoshi Yamamoto, published in 1981 by Fukuinkan-Shoten, Tokyo, a wonderful picture book depicting the firefighters from the Edo period to the present; Everyday Life in Traditional Japan, by Charles J. Dunn, 1969, Charles E. Tuttle Co. of Rutland, VT and Tokyo, described the structure of the fire department; Kabuki Costume, by Ruth M. Shaver, with illustrations by Soma Akira and Ota Gako, 1966, Charles E. Tuttle Co., described in detail the tobi and his uniform; and Japan Day by Day, by Edward S. Morse, 1945, Houghton Mifflin Co. of Boston, gives fascinating accounts of three fires witnessed by the author, one extinguished by traditional means, and one using a foreign-type water pump. |
Greetings, Usagi folks!
I've been enjoying the Usagi Dark Horse run from issue #1, and love the loving detail in every aspect of the series.
Something that struck me, though, in [Vol. 3] issue #33, was how it reminded me of the classic Sherlock Holmes story, "The Adventure of the Six Napoleons," where a precious gem is also concealed in a piece of ceramic, causing later problems for the thief, who thought he'd found the ideal hiding space. While the Usagi story has an entirely different outcome and framework (although I kept expecting Inspector Ishida to show up; he would have been perfect), I can't help but ask if the Doyle story was an influence or inspiration.
Simone Farber
simfar@aol.com
I've read all of Doyle's Holmes stories, but "The Six Napoleons" was not an inspiration for "A Potter's Story" – and neither was The Twelve Chairs .
Dear Stan,
Bravo on another stellar issue! Maybe I am in the minority, but I deeply enjoy these educational stories you have done over the years. I find them fascinating and a shining example of how learning and entertainment can go hand in hand.
As for the story, I don't know if you got the idea from Mel Brooks' film, The Twelve Chairs, but the fate of Samo seems to reflect the consequences of not following the moral of the film's theme song, "Hope for the Best, Expect the Worst."
"The Missive" is also a superb preliminary story for whatever you have planned. My favorite part is seeing that Katsuichi has accepted Jotaro as a student. However, I was wondering: Does he know/suspect that Usagi is Jotaro's biological father? Surely, a lion of his experience and insight cannot simply dismiss as coincidence Jotaro's resemblance to his former student.
May you have endless inspiration and success in the future.
Kenneth Chisholm
kshishol@execulink.com
To answer your question about "The Missive" would be premature. You'll have to wait until "Duel at Kitanoji," when Katsuichi meets Nakamura Koji for their showdown.
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"Usagi Yojimbo", including all prominent characters featured in the stories and the distinctive likenesses thereof are trademarks of Stan Sakai and Usagi Studios. Usagi Yojimbo is a registered trademark of Stan Sakai. Names, characters, places, and incidents featured in this publication either are the product of the author's imagination or are used fictitiously. Any resemblance to actual persons (living or dead), events, institutions, or locales, without satiric content, is coincidental.



