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Dark Horse
Comics Usagi Yojimbo #69
Fathers and Sons Part 1
September 2003
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STORY NOTES 
[The following story notes were inadvertently omitted from Usagi Yojimbo #68 part three of the “Sumi-e” story line.]
The Minamoto and the Taira clans had been at odds since the turn of the 12th century. The Minamoto fought rebels in the north, while the Taira made their reputation fighting pirates in the south. It was natural that these two forces would eventually clash. The first battle took place in 1108. In 1159, Minamoto Yoshitomo and Fujiwara Nobuyori conspired to destroy the Taira in what came to be called the Heiji War. They captured Emperor Go-Shirakawa, destroyed his palace, and put many of his retainers to death. Taira Kiyomori sent his son Shigemori against the rebels. The emperor was rescued, and the conspirators were soundly defeated. Nobuyori was slain in battle, and Yoshitomo was later killed. The Taira’s power was solidified. Kiyomori spared the lives of Yoshitomo’s sons. Yoritomo, Noriyori, and Yoshitsune. That act of mercy, however, brought about the downfall of the Taira clan in the Gempei War of 1180-85 (see UY Book 12: Grasscutter).
At the age of 15, Minamoto no Yoshihira (1140-60) was nicknamed Kamakura Akugenta (Wicked Genta of Kamakura), after killing his uncle and other relatives at the Battle of Okura. During the Heiji War, he left the city of Kamakura and traveled to Kyoto to join his father, Yoshitomo, in his fight against the Taira clan. They were defeated and fled to Owari. While recruiting troops in the north, he learned of his father’s death at the hands of a Taira assassin. Yoshihira, disguised as a peasant, returned to Kyoto to avenge his father but was recognized and captured. He was taken to Nunobiki Waterfall, where he was executed by Namba no Jiro. When he was cut down, Yoshiira’s body sprang into the air and took the form of the Thunder God. Beating upon his drums, Yoshihira killed Namba with a tremendous bolt of lightning.
Background on the Heiji War was from The Samurai 200-1500 A.D. by Anthony J. Bryant and Angus McBride, published in 1991 by Osprey Publishing of the U.K. The story of Kamakura Akugenta can be found in Yoshitsune’s Thirty-Six Ghosts by John Stevenson, published in 1983 by John Weatherhill Inc. of New York and Tokyo. Additional information was found in the Historical and Geographical Dictionary of Japan by E. Papinot, published in 1972 by Charles E. Tuttle Company, Inc. of Rutland, Vermont and Tokyo, Japan.
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Dear Stan,
It’s always a pleasure to get each of your stories, and this latest issue is no exception. I am deeply enjoying the father/son adventures of Usagi and Jotaro, as the kitten experiences the full flavor of the rough and wild life Usagi lives. The return of Sasuké is another treat I welcome in this issue. The cryptic “ghostbuster” is an intriguing yet reassuring presence in your supernatural stories that I love.
However, I do have some questions. Namely, what is Usagi’s problem with Sasuké that he doesn’t want to work with him? From what I’ve seen, while Sasuké may be very circumspect in his habits, he has proven himself to be a courageous and trustworthy warrior who possesses valuable skills that have saved Usagi’s life at least once. Sasuké certainly never stole from him like Kitsune or cheated him like Gen. I would think that for a ronin who has faced so many supernatural menaces himself, Usagi would value having a trained professional like Sasuké for an ally. Also, why is Usagi so incredulous when Sasuké tells him about the magic ink that turns drawings into reality? In the second Color Special, Usagi witnessed firsthand the effects of magic paint that did exactly that. Since Usagi has seen that magic with his own eyes, his doubting Sasuké’s story about the ink seems absurd to me.
Anyway, I look forward to more wonderful stories from you.
Kenneth Chisholm
kchishol@rogers.com
Usagi has nothing personal against Sasuké, but he has always tried to avoid dealing with the supernatural, an area in which the Demon Queller is an expert.
I’ve always maintained that the four Color Specials follow their own continuity and take place in a time that the black-and-white books have not yet reached. So, “Sumi-e” was a prequel to “The Doors,” which appeared in the second Color Special. You may notice that the bandit in “Sumi-e” was the same character who later showed up in “The Doors.” When the regular series catches up to the color issues, they will be reprinted (sans color) in a trade collection (probably around Book 20 or 21).
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[Usagi fans will want to check out www.fantagraphics.books, the website of Fantagraphics Books, who published all the early issues of Usagi, including the first seven book collections (which are all still available). They also still have back issues of several individual issues of the first series, going as far back as UY #3, and two of the Color Specials, Fantagraphics publishes some of the best modern and classic comics, including works by Peter Bagge, the Hernandez Brothers, and Jim Woodring. They also publish wonderful comic strip collections, such as Prince Valiant, Krazy Kat, and Pogo.
If you don’t have internet access, you can call them at 1-800-657-1100 or write them at 7563 Lake City Way NE, Seattle, WA 98115, and they’ll send you a catalogue. Note that they also publish some fairly adult material, which is showcased on their website and in their catalogue, so if you’re a parent buying for younger children, you may want to get the catalogue for yourself!]
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Usagi Yojimbo,
including all prominent characters featured in the stories and
the distinctive likenesses thereof are trademarks of Stan Sakai and
Usagi Studios. Usagi Yojimbo is a registered trademark of Stan
Sakai. Names, characters, places, and incidents featured in
this publication either are the product of the authors
imagination or are used fictitiously. Any resemblance to actual
persons (living or dead), events, institutions, or locales, without
satiric content, is coincidental.