a fan letter for Stan Sakai
Posted: Fri Jan 12, 2007 15:53 -0700
I joined this website today only to convey to Stan Sakai my
admiration for his talent and artistic integrity. I haven't looked at
his work in several years, but today I opened a copy of USAGI YOJIMBO
BOOK 5.
The drawings are immediately startling, unforgettable. This is not
the work of a hack, a dispenser of ugliness and kitsch. Abstracted
into simple line renderings are subtleties in expression, enormous
variety and fantasy. The stories themselves point to decency and
better values but are not heavy handed in that regard.
The rabbit character inspires imitation, and no, not the sword play,
don't try that anywhere, but rather as a true hero in the
existentialist sense of the term, a being who knows and lives what
is appropriate behavior.
When violence is protrayed, it is masked in enough humor to escape
marring the overall mood of the work, which is in the midst of satire
and adventure always elevated. As it reveals aspects of Japanese
culture (e.g., the kite contest, what goes into it) it unobtrusively informs.
Stan Sakai is as his readers know a kind of one man show. I think
that his work will outlive him, but I hope that both it and he outlive me.
Please thank him, if the chance arises.
John Dinwiddie
Santa Rosa, California
admiration for his talent and artistic integrity. I haven't looked at
his work in several years, but today I opened a copy of USAGI YOJIMBO
BOOK 5.
The drawings are immediately startling, unforgettable. This is not
the work of a hack, a dispenser of ugliness and kitsch. Abstracted
into simple line renderings are subtleties in expression, enormous
variety and fantasy. The stories themselves point to decency and
better values but are not heavy handed in that regard.
The rabbit character inspires imitation, and no, not the sword play,
don't try that anywhere, but rather as a true hero in the
existentialist sense of the term, a being who knows and lives what
is appropriate behavior.
When violence is protrayed, it is masked in enough humor to escape
marring the overall mood of the work, which is in the midst of satire
and adventure always elevated. As it reveals aspects of Japanese
culture (e.g., the kite contest, what goes into it) it unobtrusively informs.
Stan Sakai is as his readers know a kind of one man show. I think
that his work will outlive him, but I hope that both it and he outlive me.
Please thank him, if the chance arises.
John Dinwiddie
Santa Rosa, California