Tomoe Gozen- historical note
Posted: Sat Mar 22, 2003 22:58 -0700
As I recently did quite a lot of university research into medieval Japanese martial women, of whom Tomoe is the best known, I thought you may be interested to know a little more then you included in your brief reference. Firstly, Tomoe was not in any sence married to Yoshinaka. She was his foster sister, the daughter of his wet-nurse, and although they may have developed a sexual relationship this was certainly not official. It is a moving testement to the strength of the foster relationship that Tomoe and her brothers were the only ones to stand by Yoshinaka towards the end. It has been speculated that Tomoe bacame a nun, but actually no-one knows what happened to her. Also I must contradict your interpritation of Gozen. The experts are divided over its meaning, but in Tomoe's case the most plausible theory I read was that it had become attached to her name by reverse association (as female storytellers are Gozen, and Tomoe's story was widely told). It is interesting that almost all of the warrior women from the period were titled Gozen, although few were married and some were peasants.
Although she is best know for her naginata (the element to the story focused on by Solmondson in the titles to her books), her fameous kills were all with sword or tanto (dagger). From paintings and the detailed descriptions of her technique in primary texts, it has been concluded that her style was a forerunner of modern Judo. She saved Yoshinaka's life more than once, and bought him time to retire for his seppaku ceremony. Her opponents were so fazed at the prospect of fighting a women that she had little trouble fighting seven samurai at once. When Yoshinaka refused her permition to die with him, she challenged the leader of the enemy unit to a duel and beheaded him, to prove her worth to Yoshinaka.
The Gempei war was filled with fighting women, female generals and even Masaki Hojo, the ama-Shogun. Many of their stories are tragic as well as heroic, and I am sad that more people aren't aware of this side of Japanese history. Salmondson takes many liberties with history, as she can under the genre of fantasy, but the biggest deviation is her dipiction of Tomoe as a tough, independent woman. I wouldn't challenge her toughness, but despite their abilities, all women warriors were still deeply subservient to their lord, something central to samurai culture and women warriors were if anything more bound by it then men, not feminist exceptions.
Although she is best know for her naginata (the element to the story focused on by Solmondson in the titles to her books), her fameous kills were all with sword or tanto (dagger). From paintings and the detailed descriptions of her technique in primary texts, it has been concluded that her style was a forerunner of modern Judo. She saved Yoshinaka's life more than once, and bought him time to retire for his seppaku ceremony. Her opponents were so fazed at the prospect of fighting a women that she had little trouble fighting seven samurai at once. When Yoshinaka refused her permition to die with him, she challenged the leader of the enemy unit to a duel and beheaded him, to prove her worth to Yoshinaka.
The Gempei war was filled with fighting women, female generals and even Masaki Hojo, the ama-Shogun. Many of their stories are tragic as well as heroic, and I am sad that more people aren't aware of this side of Japanese history. Salmondson takes many liberties with history, as she can under the genre of fantasy, but the biggest deviation is her dipiction of Tomoe as a tough, independent woman. I wouldn't challenge her toughness, but despite their abilities, all women warriors were still deeply subservient to their lord, something central to samurai culture and women warriors were if anything more bound by it then men, not feminist exceptions.