| |
by Stan Lee
Stan Lee is well-known as the creator of
such popular comics as The Fantastic Four, Spider-Man, The Incredible
Hulk and Silver Surfer.
How talented can you get?
Some years ago, when my Spider-Man newspaper strip needed a new
letterer for the Sunday pages, a friend suggested that I call Stan Sakai.
After meeting Stan and seeing his lettering I knew he'd be perfect for the
strip. But I had no forewarning of the surprise that was yet to come!
As good as Stan's lettering was, he managed to improve upon it with each
new page. Best of all, I could tell by the way he positioned the balloons
that he had a wonderful sense of layout, an innate feeling for composition
and design. Still, I had no suspicion that Stan was any more than a fine
letterer.
Then came the surprise.
While bringing some freshly-lettered pages one day, Stan casually handed
me a copy of Usagi Yojimbo. It was a great-looking strip with
fascinating artwork and I almost dropped my Marvel Booster Button
when, upon seeing the credits, I realized that Stan Sakai was both the
author and the artist!
From that moment on I was hooked. I've since followed the exploits of
Usagi-san as eagerly as any other fan, and each time I read an
issue, I can't help being impressed by the extent of Stan's versatility. You
see, many strips might be created by someone, scripted by someone else and
pencilled by another person. After that, the strip is given to a letterer
and might finally be inked by a different artist. But the fact is, in the
case of Usagi Yojimbo, Stan Sakai does it all!
Just think of it. First he invented an entire cast of exciting,
anthropomorphic characters, then he fashioned a uniquely colorful world for
them to inhabit. It's a fictitious world to be sure, and yet, due to his
careful research and painstaking attention to detail, Usagi's world contains
a tremendous wealth of authenticity in the customs and artifacts depicted in
every meticulously detailed panel.
But it's the quality of Stan's scripting and artwork that really
impresses me the most. In his writing, with an economy of dialogue, he
manages to capture subtle and dramatic emotions as well as to convey the
sense of honor and tradition embodied in the centuries-old code of the
Samurai. As for his illustrations, which he himself letters, the
more you study the amazing clarity and simplicity of each drawing and the
deft, finely-detailed inking of his figures and backgrounds, the more you
realize that Stan is both a superb designer and an innovative stylist. He
has created not only a new strip, but a new type of visual storytelling.
At first glance, they may seem like cute little animals in a whimsical
world starring in somewhat simplistic stories. But once you come under the
spell of Usagi Yojimbo, you realize, as I did, that they're the
stuff of which legends are made. For you're in the presence of a gifted
storyteller and artist whose delicately woven tales have many complex layers
and interpretations, and you may find yourself wanting to raise your glass
and say "Kansha suru" (thank you) to one of the nicest guys in
comics, a man I'm proud to call my friend, the multi-talented Stan
Sakai.
Excelsior!
- Stan Lee, 1992
|
| |
[UY Journal]
[Character Overview]
[All Characters]
[All Comics]
[All Stories]
[UY Book 1]
[UY Book 2]
[UY Book 3]
[UY Book 4]
[UY Book 5]
[UY Book 6]
[UY Book 7]
[UY Book 8 (Mirage 1)]
[UY Book 9 (Mirage 2)]
[UY Book 10 (DHC 1)]
[UY Book 11 (DHC 2)]
[UY Book 12 (DHC 3)]
[UY Book 13 (DHC 4)]
[UY Book 14 (DHC 5)]
[UY Book 15 (DHC 6)]
[UY Book 16 (DHC 7)]
[Comics after last book]
[UY Color Specials]
Last change: 19. May 2003
Back to UY Dojo Home Page
Because of getting swamped by spam eMail, we don't publish
an eMail adress here but you can always reach us via the
DojoBoard.
Usagi Yojimbo, including all prominent characters
featured in the stories and the distinctive likenesses thereof are
trademarks of Stan Sakai and Usagi Studios. Usagi Yojimbo is a registered
trademark of Stan Sakai. Names, characters, places, and incidents featured
in this publication either are the product of the authors imagination or are
used fictitiously. Any resemblance to actual persons (living or dead),
events, institutions, or locales, without satiric content, is
coincidental.
|