| |
Send letters & comments to: "USAGI LETTERS," c/o
Fantagraphics Books,
7563 Lake City Way NE, Seattle, WA 98115
|
[Welcome to the penultimate (meaning there will be
one more) issue of Usagi Yojimbo from Fantagraphics. No, I'm not
discontinuing the series, but rather switching publishers, to Mirage.
[Let me assure you that this change in no way
reflects any dissatisfaction with Kim Thompson or any of the other good
people at Fantagraphics. Kim has been a terrific editor and a good friend.
It was through Kim's efforts that Usagi is where it is today.
Critters was his brainchild, and he invited me to contribute to
the very first issue after seeing a couple of my stories in Steve
Gallacci's Albedo (now from Antarctic Press). The Summer
Special was his idea, as was the first color special ("Stan, I've got
this seven-page "Gnuff" story colored by Mike Kazaleh and nowhere to run
it. Do you want to build a 48-page book around it?")
[If I don't have any disputes with Fantagraphics
why, then, am I leaving? A lot of it had to do with Usagi's just seeming
out of place in the Fantagraphics line of books, moreso since the demise
of Critters. Don't get me wrong. I like Hate, Love
& Rockets, Eightball, and many of their other titles and
highly recommend them. However, Usagi sticks out like a sore
thumb, being a "general readers" book among "mature readers" titles.
[My association with Fantagraphics will not
completely end. They will continue the trade paperback collections, as
well as handling T-shirts and other goodies.
[I've always had a great relationship with Mirage
Publishing, having done occasional projects with them, including this past
summer's Space Usagi mini-series. We're targeted to the same
readership and their advertising and promotions reflect this.
[My agreement with Mirage is similar to that of
Fantagraphics in that I retain creative freedom in my stories and art. The
format will also be the same: a 20-page Usagi story followed by an 8-page
back-up, except I'll be doing the majority of the back-ups myself rather
than with guest creators.
[One major change is that the book will now be in
color. I know, I've always been an advocate of black-and-white, but those
books just aren't selling as they used to. And with three color specials,
Tom Luth has shown me the merits of Usagi in color. Tom will, of
course, remain the colorist. Hey, maybe we'll come out with an annual
black-and-white special!
[Another change is that, thanks to Deb Toffoli and
her production schedule, the books should be out on time - bi-monthly
beginning in March, a month after the last Fantagraphics issue.
[Speaking of which, issue #38 continues Usagi's
travels with Gen as they meet up with an acquaintance from the past in
"The Last Ino Story."
[I'm planning on being at the Great Eastern
Convention in New York at the Jacob Javits Convention Center on January
22-24. I'll be at the Mirage Tables, so drop by to say "Hi!" if you're
there. Also, Bay Area residents should drop by Comix Experience in San
Francisco on February 27th (from noon to three o'clock), when Mark
Evanier, Sergio Aragonés, Tom Luth, and I will be celebrating the release
of Groo #100.
[- STAN SAKAI]
|
|
[I just want to add to Stan's opening remarks that
it's been a pleasure and a privilege to work with him on Usagi Yojimbo
for the past seven years, and I'll be looking forward to the Mirage color
edition of Usagi. Like Stan, I've become more and more taken with the
way color looks on our favorite samurai rabbit - if color comics weren't so durn
expensive I might have tried to talk Stan into converting Usagi into
full color myself by now. Anyway, look for the full-scale goodbyes and godspeeds
next issue.
[A few matters relating to this passing of the torch: Subscribers,
fear not! I'm in the process of working out how to transfer all current subs to
Mirage. Also, letter writers note! Due to this issue's lateness (thank you,
M.W.), the next issue will be coming out so quickly that by the time you read
this, it'll be at press, so all future letters of comment (and mail you want
forwarded to Stan) should be sent to USAGI LETTERS, c/o Mirage Comics, PO Box
417, Haydenville, MA 01039. Remember, DON'T send original art if you want it
back, DON'T ask for replies, signed art, or any such thing, and try to keep the
numbered lists-o'-questions to a minimum! (Although who knows, maybe it'll turn
out Usagi's new editor at Mirage just lo-o-oves endless
lists-o'-questions.)
[And, even though it took him an awful long time to finish it, special
thanks to Martin Wagner for his beautiful "Li'l Hepcats" tale this issue; since
next issue boasts an issue-long Usagi story, this will be the last back-up story
by another cartoonists for quite a while, and it's a nice way to go out. It's
just too bad Scott Shaw! (a procrastinator next to whom Martin looks like a
piker) never quite got around to finishing his....
[ Next issue will feature the answer to the quiz on the facing
page, as well as the long-promised Usagi Concordance, listing every appearance
of every Usagi story ever published. See you then!
[- ED.]
G'day Stan and Thomo,
I've been thinking of writing you for a while now, but I
finally got around to it after seeing Throne of Blood by Akira
Kurosawa, which made me want to read The Dragon Bellow Conspiracy over again.
Both brilliant stories and in keeping with the history of that
period.
As for me, Usagi Yojimbo is still my favorite
comic, with the Turtles as a close second. In fact, it was the Turtles that drew
me to Usagi. Your readership wouldn't be the size it is today if it
wasn't for them. My first issue was "Lone Goat and Kid" and since then I've been
able to collect the first four books as well as all other issues and color
specials, which includes the hardcover edition of Book 4, The Dragon Bellow
Conspiracy. (Incidentally, it cost me $60.00 Australian, but it was worth
it.)
At the moment I am enjoying #35's "Gen,"
just waiting to see how Gen and Usagi manage to escape with Lady Asano. Gen's
story was extremely moving. Makes you feel sorry for him. However, one question
about the fourth panel on page 14: Did they really need to pile all over Usagi?
It looks like something that would happen in the middle of a baseball field or a
rugby scrum rather than in a lord's house. Tom Stazer's "Lionheart" was as good
as ever.
I hear that Kitsuné is coming back in #37 but by the time
you get this I probably will have read it. Kitsuné is a great character, but
what about the other characters that haven't appeared for a while? We haven't
heard much from Hikiji. Is he plotting any new plans? And what about Shingen's
sister who made a brief appearance in Book 4? I think there's a
character there worth exploring. Besides the color specials, is Tomoe Ame doing
anything special, and will Zato Ichi raise his wooden nose to any new
developments? Finally, will we see Jotaro training with Katsuichi-sensei
as Usagi suggested? With all these characters about, Usagi Yojimbo
could go on forever.
Space Usagi was just superb, with one of the
best fight scenes I've seen (no pun intended) yet. There were a number of
strange coincidences, however. (1) A pet named Spot. (2) A convenient scar over
the left eye. (3) A woman named Tomoe. They do say history repeats itself.
Space Usagi suggests that the original Miyamoto Usagi will meet up with another. Who
will this woman be?
I liked both your drawings in Images of Omaha
and the Amazing Heroes Swimsuit Special. What is this thing with
Calvin & Hobbes, however? Not only were they plastered all over the
Swimsuit Special, they appear in panel five on page 14 (looney page 14)
of Usagi Yojimbo Book Three. I just don't get
it.
I hope you manage to get down to the OzCon comic
convention some time in the future. It would be great to meet you in person. As
a final note for all of those people who wondered who designed the Usagi action
figure, it was Stan himself. If you don't believe me take a look at the cover of
Usagi Yojimbo Book One.
Hoping Usagi goes on forever,
Jason Gaffney Queensland, Australia
P.S.: I read what you said, Kim, about
Australians being "a few eucalyptus leaves short of a full branch." Just watch
your back from now on.
[Gee, Jason, was your great-grandpa a thief, a murderer, or a
kidnapper? Just curious.
[Only kidding! You Aussies are so sensitive. Just to make nice, I'm
running your letter in the coveted lead spot this issue - so am I forgiven?
[- ED.]
Fan Art by Jason Gaffney

Dear Stan,
I have just one question. In Usagi all the animals are kind of animal humans (they
walk on two legs, etc.). Why, then, are the horses that the bandits and other
animals ride on not like humans? It's the same case with Lord Noriyuki's pet
dog, and the foxes in "Fox Fire." There have been human-like dogs in your
comics, Goyemon the demon painter for instance. This does in no way make your
comic bad, but I was just wondering.
I must congratulate you on an excellent job in Space
Usagi. At first I was a little skeptical about it, but it turned out really
cool. I especially liked the battle armor, fortresses, and Arcane
Katanas. Just like
before, I have one question. If Space Usagi is Usagi Yojimbo's son, then who was
the female involved in making Space Usagi? Could it be perhaps that Mariko
leaves Kenichi for Usagi and they have another kid? Or maybe Space Usagi is
really Jotaro grown up and has taken a different name. Anyway, thank you for a
great comic!
Name and Address Lost
[Sorry, guy (or gal), but in the last-minute frenzy around here,
your name and address got misplaced. I wanted to print your letter anyway
because you're the first Usagi reader to bring up what's known as
the "Goofy-and-Pluto syndrome": namely, if Goofy is a dog and Pluto is a
dog, why the heck can Goofy talk and walk on two legs, while Pluto is just a
dog? (Or, for real species confusion, check out Grandma Duck's farm.) There
is, unfortunately, no answer to this - or to your Usagi-specific
queries - other than "artistic license." I hope that'll do. - ED.]
Dear Stan,
After reading Usagi #34 I figured I might as well write in a letter
to tell you what a great comic you're putting out. The Usagi Yojimbo
books have always had very believable characters. I mean at first I thought
a samurai rabbit isn't the most realistic kind of character, but when incorporated
into a good storyline, that character has more depth and personality added to
it. So while reading, you can feel excitement or sorrow for the
character.
This is especially so in issues 28-31,
the "Circles" storyline. It starts on a good note when Usagi finds Katsuichi
alive after so long. Then ends quite the opposite, with Usagi having to leave
his child and his chance at a peaceful life behind to continue wandering. The
story was very well done, but
1) Is there going to be any more on this
subject; are Usagi and Mariko ever going to be together?
2) And if not, is Usagi going to further
his relationship with Tomoe? I mean, Usagi needs a woman.
3) Is Jotaro going to seek out Katsuichi sensei? And what about a
sidekick? Batman has Robin, Wolverine has Jubilee, and Groo has Rufferto.
Doesn't it stand to reason that Usagi should have one? How about Jotaro finding
out Usagi is his real father and goes to join him? Then Usagi could teach Jotaro
the way of the samurai, and they could wander the land together. Oh
well, just a suggestion.
Anyway, with or without a sidekick, Usagi is still one of the best comics out. Keep up the
good work.
Damion Belvin (no address given)
P.S. If you don't print my letter and picture in Usagi Letters, I will still
buy the Usagi Yojimbo comic, but I refuse to enjoy it.
[That's all very reasonable as far as it goes, but Spider-Man and
Superman don't have sidekicks. As for your questions about Usagi's future,
you're just going to have to keep on reading - and not enjoying it. - ED.]
Re: Usagi Yojimbo #33.
If the Rite of Seppuku was an end unto itself, it would have no
bearing for the samurai. But as "Broken ritual"
dramatically illustrates, it is but a stop along the journey of the soul.
This Stan Sakai gem following a trail blazed by Sergio Aragonés was
brilliantly presented, touching the basic premise of samurai: that the consciousness of the warrior's
soul transcends the life of the gross body.
Bravo!
Jan C. Childress Brooklyn, NY
|