Cartoonist's fan base grows by Yoon S. Park

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Steve Hubbell
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Cartoonist's fan base grows by Yoon S. Park

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http://www.nwasianweekly.com/20052442/c ... 052442.htm
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(Photo by Amy Twito)
Stan Sakai shows one of his drawings to students at Eckstein Middle School during a recent visit to Seattle.
Yoon S. Park wrote:Cartoonist's fan base grows
Northwest Asian Weekly
Oct. 15, 2005

I must admit that before Oct. 5, I knew absolutely nothing about Stan Sakai or his popular comic book series about a samurai rabbit called Usagi Yojimbo. My boyfriend, who self-admittedly is about 12 years old at heart (he’s actually almost 30), thought it would be fun to go listen to Sakai’s presentation at the downtown Central Library that day.

We arrived at the library well before the talk was to begin and sat in the front row of the auditorium, watching the crowd slowly file in. About 100 fans, ranging from the young (about 8 to 12 years of age) to the young at heart, eventually joined us to hear the Japanese American speak and get their comic books autographed.

Shortly before the lecture was to begin, we saw a pleasant-looking middle-aged Asian gentleman come in and stand off to the front side of the auditorium. He reminded me of my favorite law school professor — tweed jacket, khakis, comfortable shoes and an endearing smile. He greeted the library officials and then walked over to us, asking if we wanted our comic book (purchased shortly before the start of the lecture) autographed.

Within seconds, he returned our comic book back to us with an impromptu drawing of his famous samurai rabbit on the inside front cover and his signature. My boyfriend, who was obviously tickled that he would take the time to draw something for us, thanked him repeatedly. We watched him sign a few more books before his presentation began.

For the rest of the hour, the audience of fans listened intently as this cartoonist with a wry sense of humor composed drawing after drawing, explaining the process of creating comics and his 27 years in the business of drawing. He explained that much of Usagi Yojimbo is based on his research about Japan and is very much historically accurate. Literally translated, “usagi yojimbo” means “rabbit samurai warrior.” As he spoke, Sakai drew figures on a large sketchpad so that the audience could see as well as hear about the famous rabbit warrior.

I found it quite charming that he singled out an 8- or 9-year-old girl named Abby who had come in with a drawing of her own for Sakai to sign. He composed a storyboard of her day, drawing upon a few questions he asked her while the audience sat and watched the genius at work. He engaged the rest of the audience, answering question after eager question from his many fans.

As I mentioned earlier, I knew nothing about Sakai or the cult following of his warrior bunny rabbit, but through this wonderful presentation organized by the Seattle Public Library, I can no longer say that is true. I used to equate comic book fans with nerdy band geeks and the like. Alas, I am no longer in middle school and have long since stopped caring about the silly monikers that children use to label others whose interests are outside of the mainstream.

My brief encounter with Stan Sakai reminded me how refreshing it is to break out of one’s comfort zone and try something different once in a while.

Yoon S. Park can be reached at scpnwan@nwlink.com
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Shishio
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Post by Shishio »

I have to say, Mr. Sakai, you have the best job ever.

Also, it is admirable that you take the time to include a sketch with every autograph. *Loves his autographed books.*

A little off topic, but I'm curious: It's no secret that you travel alot. Are there any other professionals from the field of comics that travel across the world frequently that you know of, or are you a unique case?
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Post by Stan Sakai »

Shishio wrote:
A little off topic, but I'm curious: It's no secret that you travel alot. Are there any other professionals from the field of comics that travel across the world frequently that you know of, or are you a unique case?
Traveling for comics professionals have become very common. Sergio has been doing it for years, both for comics and for pleasure. He's even been to Antarctica. No, he was not signing copies of Groo for penguins. He is a wonderful traveling companion. We are going to Granada, Spain in a few weeks.
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Post by Colin Solan »

Thanks for posting that. Good article
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Shishio
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Post by Shishio »

Stan Sakai wrote:Traveling for comics professionals have become very common. Sergio has been doing it for years, both for comics and for pleasure. He's even been to Antarctica. No, he was not signing copies of Groo for penguins. He is a wonderful traveling companion. We are going to Granada, Spain in a few weeks.
I was just talking about comics-related travelling. I was curious about this because you and Mr. Aragones are the only ones I know of that do a lot of comics-related travelling outside of America and Canada to conventions, festivals, etc;
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Stan Sakai
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Post by Stan Sakai »

Shishio wrote: I was just talking about comics-related travelling. I was curious about this because you and Mr. Aragones are the only ones I know of that do a lot of comics-related travelling outside of America and Canada to conventions, festivals, etc;
Jeff Smith used to travel a lot, but he's cut back quite a bit in the last few years. We did a book signing in Paris once, and after that he was going on a month-long signing tour of Europe. When we were doing the Trilogy Tour, we had contemplated a European tour with Jeff, Linda Medley, Charles Vess, Jill Thompson, Mark Crilley, and myself. However, the logistics and the costs outweighed the benefits of such a tour.

If you read my Angouleme travel report, you'll see a few American names in there. Nowadays, many foreign comics festivals also include a few Americans in their guest list as well, just as the San Diego Con usually has a few international guests.

There are quite a few cartoonist however, that just do not enjoy traveling.
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traveling

Post by Shadowfax »

Stan wrote:
There are quite a few cartoonist however, that just do not enjoy traveling.
One should remember that "travel" does not have to be to foreign countries; even a trip to San Diego Comicon is a major undertaking. It is very expensive, time consuming, and for lesser-known artists, it can be a bit of a financial risk.

I can speak from second-hand experience, my brother John Van Fleet has done a number of comics and graphic novels for DC and Vertigo, and I'm afraid he *does* hate to travel . . . his style of art requires a studio, and he can't get any "work" done when he is away at a convention.

Of course, the benefits of travel include meeting fans and meeting other artists; I keep encouraging John to get out and get some exposure!

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Re: traveling

Post by Stan Sakai »

Shadowfax wrote:
his style of art requires a studio, and he can't get any "work" done when he is away at a convention.

Of course, the benefits of travel include meeting fans and meeting other artists; I keep encouraging John to get out and get some exposure!

Shadowfax
I can sympathize with him. Traveling to conventions can be a lot of work, but it does not get you closer to meeting your deadlines. I enjoy traveling, and that is why I've learned to work on the road, so to speak. I usually thumbnail stories on the plane, and ink in hotel rooms. I thumbnailed two issues on the recent trip to France, and I remember inking 8 pages during an Anthrocon. I think there is a travel report of a trip to the Motor City Con that Sergio and I traveled to. During that trip, he wrote out a Groo story, roughed out Mad gags, and drew the Bhutan story for Dark Horse. Meanwhile, I wrote an Usagi story, lettered the Bhutan story for Sergio, and started inking the Simpsons story for Bongo.

You're right in that besides going to new places, one of the joys of traveling is meeting the fans and artists. I'm a fan myself, and carry one of those black sketchbooks for others to draw in.
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