Thanks again, all!
Gaffey: that's a coincidence, because that's the cover I used as reference.
Thanks PJaensch. Another reason to finally get on facebook!
Eltanin: in my experience talent is a little bit of interest, motivation, or obsession, backed up by observation, practise, and a lot of trial and error. Not always easy, but far from unattainable. I'd recommend anyone to give something a try.
In my case, it sometimes feels like more error than trial. Case in point: after a long wait I don't have a lot to show off. When I tried explaining scale I thought "Well, why
am I measuring to the eye?" I wasn't happy with the slightly botched job on the ears, too, so I whipped up a new armature at 'proper' 54mm, to the head.
Next, I thought I'd finish this off with milliput, but if I'm trying to translate Stan's 2D style into 3D (and scared of messing it up), maybe I'd need something where I can scrape back the inevitable mistakes more easily. Out comes the oven-bake polymer clay. I don't have much experience with it compared to epoxy putty, but here I'm using Uro Hot Set - a polymer clay produced here in Britain. It's quite firm (something that's useful when sculpting tiny details at these scales, IMO) but it's also a bit more elastic than other polymer clays like sculpey or fimo. A wee bit more like the consistency of epoxy putty.
That said, the ability to cut away came in handy right away, when I decided I'd need more of a solid base to sculpt over. Especially with those wide
hakama wobbling every time I tried to blend in more clay! What I have here are some rough shapes and proportions, with some space to add more layers after this stage is baked. It's not very interesting to look at; but hopefully to make up for that, I couldn't help getting ahead of myself and doodling Usagi's face on it:
Or, considering the date yesterday, breaking out another classic cover reference:
