morna learning to draw Usagi

A place for Dojo Members to post Usagi Yojimbo "Otaku" art and fiction. Display your artistic and/or literary works based on Stan Sakai's Usagi Yojimbo here!

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morna-san
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Post by morna-san »

I would really love to see that thing finished!

I did these fairly lame ones last night. Just copies of panels. I think I'm regressing - or maybe I'm just getting pickier. I might try another medium, or maybe another type of pen, the stilted quality is bugging me. The chizu piece has one really nice line - the one that runs down Usagis forehead to his nose. That was gone over twice and it's still nice and clean - not so for most of the others. Poor Chizu's mouth is in entirely the wrong place.

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bad ear day....... gaah what was I thinking
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morna-san
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Post by morna-san »

progress check:


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I'm surprized how tricky word balloons are. How on earth do you ink a smooth line on those puppys. I still haven't made one I'm willing to even try it on. Looks like I have to study the kimono some more too. Still quite a bit better than the original - at least the ears are !
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goandal
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Post by goandal »

Lookin' good!
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morna-san
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Post by morna-san »

Thanks!

So, now what. I can do a passable Usagi, which is kool but is that all I wanted out of this exercise. Time to have a look at my goals. I have to say I'm pretty happy with my progress so far but I think I am going to have to keep going. I would like to be able to create a whole scene that somehow is true to Usagi's sphere of reference but also is my work and not Stan's. I have to get comfortable enough with the forms so that I can speak them in my own language, like David did with his pin-up or like roel, Amy and inkthinker have done. The trouble is my work for the past 15 or so years has been abstract painting on glass. Not the easiest translation.
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morna-san
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in search of style

Post by morna-san »

well I tried a couple of things. this first is an attempt at using the fine pen more like I was using the pencil. in a more sketchy kinda way. Not sure about the results of that experiment.

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lacks the sketchy goodness of the pencils AND the clean lines of the inks

ok, I guess I am sure!
Last edited by morna-san on Tue Jul 03, 2007 22:00 -0700, edited 1 time in total.
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morna-san
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Post by morna-san »

next experiment was a bit more sucessful. I switched pens and ditched the pencils altogether:

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the first one ( top image on the page) sucks but immediately I did one I kinda like

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I let this guy have the whole page


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and this one

there were a few pages looking a bit like this:

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you have to be super fast and decisive with this type of drawing - no time to futz around... I really like the guy on the bottom.

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ya that's my hand. I was curious to try drawing a familiar object in that style.

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and then you have this one - scarily similar to an earlier one... I do like the ears on him tho'

This feels better to me. I like the decisive mark-making and the clean lines. I like the speed and spontaneity - but it's also unforgiving... and so far all I'm comfortable enough to subject to this style is the upper torso. I need to get more familiar with bodies and poses and drapery. or try another medium... maybe
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morna-san
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in search of style...

Post by morna-san »

got myself a brush pen. They're weird but the type of mark you can make seems particularly suited to the subject matter.

Here's my favorite out of the first batch - there are lots 'cause they take about three seconds to make:

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one problem is that you can't make a round dot... unless you draw it round and then it gets big... shrug
only thing that really bugs me is the unfortunate overlap of the line of his ear lining up with the line of the overlap on his ear-wrapping-thingy - know what I mean?

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so much better!
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morna-san
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Post by morna-san »

the best three from yesterday:

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This is my favorite. nice lines... ya the head's a bit long in the snout - I'm ok with it
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morna-san
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Post by morna-san »

I kinda like this one from today:


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I hope I'm not running out of ink already some of those lines are a bit dry looking. Yes the hand is pretty small but I've seen worse. Crappy sword unfortunately..... practice practice!
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morna-san
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Post by morna-san »

well, I'm off to the seaside for a few days - I'll try to do some drawing whilst I'm there. I'm bringing my pastels so I might try something with some colour. I'll show you what I come up with when I get back

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Abayo
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Steve Hubbell
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Post by Steve Hubbell »

Some people are just so lucky, getting to go to the sea-side! :?
Hope you have lots of fun, and see ya when you get back! :D
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goandal
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Post by goandal »

It's great to getaway. My wife and I took a trip to the Oregon coast and it was breath-taking.
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Chris Coke
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Post by Chris Coke »

Enjoy your trip. Looks like a wonderful place.

I'd fallen behind on checking this thread but am all caught up.

Wonderful pictures. Though I really like some of the ones you don't seem to, like the one of Chizu. Their is a bit of awkwardness in her face but the picture conveys the sense it's supposed to.
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morna-san
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Post by morna-san »

wow that was great! I guess it's a bit of a misnomer saying i'm GOING to the seaside when I live a couple of blocks from the sea... but this is different! We had one of the most incredible nature experiences of my life - skinny dipping with the phosphorescents! So so beautiful. Our little minds were blown. It was just so incredibly amazing seeing your limbs as dark silhouettes against a myriad of bright sparks. We started out wading and pretty soon we were in all the way (and I can never get Gary to go in the sea) You could see the concussion of your footfalls expressed in sparkles. Snow angels when you swim. Unreal! Too bad we had no luck photographing them - those little motes are too ephemeral to register. Some things can only be experienced first hand.

Anyway I thought I'd post evidence of the true depth of my (our) geekyness. Behold! Demon Usagi comes to Yellowpoint.

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Stan Sakai
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Post by Stan Sakai »

I really like your brushwork. Your lines are very expressive.

Have fun at the seaside. I'm getting ready for the San Diego Con. No time to go to the beach there.
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